At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account. That saves a lot of time and makes for a more meaningful display in the Note Editor. Pros will be relieved to discover it’s no longer necessary to isolate each individual sibilant by hand. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behavior of the human voice govern the handling of sibilants.

voiceless consonants (such as sibilants like “s”) and breath sounds – from its pitched components. Melodyne heightens its core competence. The “Melodic” algorithm used for vocals can now distinguish the unpitched, noise-like components of a note – i.e.

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